-
Recent Posts
Recent Comments
Archives
- February 2023
- January 2023
- December 2022
- November 2022
- October 2022
- September 2022
- August 2022
- December 2021
- November 2021
- October 2021
- July 2021
- May 2021
- April 2021
- February 2021
- January 2021
- December 2020
- November 2020
- October 2020
- September 2020
- August 2020
- July 2020
- June 2020
- May 2020
- April 2020
- March 2020
- February 2020
- January 2020
- December 2019
- November 2019
- October 2019
- September 2019
- August 2019
- July 2019
- June 2019
- May 2019
- April 2019
- March 2019
- February 2019
- January 2019
- December 2018
- November 2018
- October 2018
- September 2018
- August 2018
- July 2018
- June 2018
- May 2018
- April 2018
- March 2018
- February 2018
- January 2018
- December 2017
- November 2017
- October 2017
- September 2017
- August 2017
- July 2017
- June 2017
- May 2017
- April 2017
- March 2017
- February 2017
- January 2017
- December 2016
- November 2016
- October 2016
- September 2016
- August 2016
- July 2016
- April 2016
- March 2016
- February 2016
- January 2016
- October 2015
- September 2015
- December 2013
- November 2013
Categories
Meta
Tag Archives: Raj Kapoor
Aawara overturned
The great showman of Indian cinema, Raj Kapoor had made a classic movie – Awara (1951) containing an interesting and meaningful discussion about Nature vs. Nurture issue and the conclusion drawn was that nurture is more important in shaping the … Continue reading
Stay awake ! Criminals & sinners roaming around !
Jaagte Raho ! Have you ever heard this loud voice of a watchman in your locality in the darkness of late night hours ? I have heard it. The watchmen of now-a-days do not send such yells but the watchmen … Continue reading
Posted in Movie Review
Tagged Amit Maitra, Aye Wai Duniya Deve Duhaai, Crystal Globe Award, Daisy Irani, Ek Din Raatre, Jaago Mohan Pyare, Karlovy Vary International Film Festival (1957), Moti Laal, Movie Review - Jagte Raho (1956), Nargis, Pot calling the kettle black, Raj Kapoor, Salil Chaudhry, Sombhu Mitra, Thandi Thandi Saawan Ki Phuhaar, Zindagi Khwab Hai Khwab Mein Jhooth Kya Aur Bhala Sach Hai Kya
4 Comments
Badalega Zamaana Ye Sitaaron Pe Likha Hai …
Bollywood’s one and the only showman Raj Kapoor’s production house, i.e., the great R.K. Banner started making movies with Aag in 1948 and with that very first product, it established itself as a banner which believed in presenting quality movies … Continue reading
Posted in Movie Review
Tagged Baby Naaz, Badalega Zamaana Ye Sitaaron Pe Likha Hai, Bhanu Pratap, Chali Kaun Se Des Gujariya Tu Saj Dhaj Ke, David, Lapak Jhapak Tu Aa Re Badarwa, Movie Review - Boot Polish (1954), Nanhe Munne Bachche Teri Mutthi Mein Kya Hai, Prakash Arora, R.K. Banner, Raat Gayi O Raat Gayi Phir Din Aata Hai, Raj Kapoor, Ratan Kumar, Saari Duniya Hai Mujhpe Deewaani, Shankar Jaikishan, Taaron Ko Dil Ki Baat Sunaaye, Theher Zara O Jaanewaale, Tumhaare Hain Tumse Daya Maangte Hain
10 Comments
The heart-conquering simpleton
In my review of Anari (1959), I had asserted that Bollywood’s greatest showman, Raj Kapoor was most liked by the Indian audience in the role of the golden-hearted simpleton. Anari, Jaagte Raho, Teesri Kasam, Shree 420, Kanhaiya, Chhaliya, Diwana; the … Continue reading
Raj Kapoor defends Shashi Kapoor in the court
1982 was the farewell year for Raj Kapoor as an actor as his last two movies were released in this year. Gopichand Jasoos was his penultimate movie which was released on 19th February, 1982 and his last movie was Vakil … Continue reading
Nature versus Nurture
First of all, I sincerely thank my friend and esteemed reviewer, Deepak M.R. for inspiring me to write a review of this classic movie from the prestigious RK banner of Bollywood. Actor-producer-director Raj Kapoor has given many excellent movies to … Continue reading
Sab Kuchh Seekha Humne, Na Seekhi Hoshiyari . . .
Though Raj Kapoor was a versatile actor and performed various kinds of roles in his acting career spanning around 38 years (1944-1982), he’s best loved by the Indian audience for the Seedha-Saada, simple, straightforward and naive (and therefore vulnerable) gentleman’s … Continue reading