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Tag Archives: Lalita Pawar
Aye Mere Dil Kahin Aur Chal . . .
This old review is posted again as a tribute to the Tragedy King of the Indian screen – Dilip Kumar who left for his heavenly abode today. In my review of Maut Ki Aahat (a Hindi novel), I have opined … Continue reading
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Tagged Aye Mere Dil Kahin Aur Chal, By quitting drinking only can the drinker think logically about and take some prudent step to solve the practical problems of his life, Dekho Aaya Ye Kaisa Zamaana, Dilip Kumar, Hasrat Jaipuri, Hum Dard Ke Maaron Ka Itna Hi Fasaana Hai, Jab Se Nain Laage, Jawahar Kaul, Kaahe Ko Der Lagaai Re, Kanhaiyalaal, Koi Nahin Mera Is Duniya Mein, Lalita Pawar, Lata Mangeshkar, Liquor consumption may make a happy person happier but it can by no means mitigate the grief of an aggrieved person, Movie Review - Daag (1952), Nimmi, Preet Ye Kaisi Bol Ri Duniya, Shailendra, Shankar Jaikishan, Talat Mahmood, the feeling of grief intensifies in the intoxicated condition, Usha Kiran
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The fatal prank
Who, whether a boy or a girl, does not enjoy playing pranks during his/her childhood and teen-age, during the school-days and the college-days ? Most of us must have played pranks during those happy-go-lucky days of our life and enjoyed … Continue reading
Here’s the genuine spy-thriller
In 2012, two Bollywood movies had hit the screen under the name of spy-thriller – Agent Vinod and Ek Tha Tiger. Though I found those movies as entertaining flicks, I felt that they made a mockery of the term spy-movie. … Continue reading
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Tagged Agent Vinod, Dharmendra, Dhumal, Ek Tha Tiger, Gairon Pe Karam Apno Pe Sitam, Kumkum, Lalita Pawar, Loot Ja Yahi Din Hain Kisi Pe Loot Ja, Mala Sinha, Mehmood, Meri Sun Le Araj Banwaari Re, Milti Hai Zindagi Mein Mohabbat Kabhi Kabhi, Movie Review - Ankhen (1968), Mulk Ki Sarhad Ko Koi Chhoo Nahin Sakta Jis Mulk Ki Sarhad Ki Nigahbaan Hain Aankhen, Nazir Hussain, Netaji Subhash Chandra Bose, Ramanand Sagar, Ravi, Saahir Ludhiyanvi, spy-thriller, Tujhko Rakkhe Raam Tujhko Allah Rakkhe
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Joy romances with Asha in Tokyo
Six years have passed since Joy Mukherjee left for his heavenly abode on 09.03.2012. He was the first Bengali hero to have played a more than one decade long successful innings in Bollywood as a romantic hero with his clean-shaven … Continue reading
Posted in Movie Review
Tagged Aaja Re Aa Zara, Asha Parekh, Dhumal, Joy Mukherjee, Koi Matwala Aaya Mere Dware, Lalita Pawar, Le Gayi Dil Gudiya Japan Ki, Main Tere Pyar Ka Beemaar Hoon Kya Arz Karoon, Master Shahid, Mehmood, Movie Review - Love In Tokyo (1966), Mujhe Tum Mil Gaye Humdum, O Mere Shah-e-Khubaan, Pran, Saayonara, Shubha Khote, V.K. Murthy
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A long forgotten suspense thriller
Today is the birthday of producer-director-actor Rakesh Roshan. On this occasion, I am presenting the review of Goonj (1974) which is a long forgotten Hindi movie starring actors like Mahendra Sandhu and Reena Roy and of course Rakesh Roshan who … Continue reading
Guru Dutt presents a hilarious comedy
Guru Dutt is mainly known for his thought-provoking, profound classic movies like Pyaasa, Kaagaz Ke Phool and Sahib, Bibi Aur Ghulam. However he had directed one hilarious comedy also prior to them. Since the movie had been made in the … Continue reading
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Tagged Aye Ji Dil Pe Hua Aisa Jadoo, Chal Diye Banda Nawaaz, classic comedy, Guru Dutt, Hindi movie, Jaane Kahaan Mera Jigar Gaya Jee, Johnny Walker, Lalita Pawar, Madhubala, Meri Duniya Lut Rahi Thi Aur Main Khamosh Tha, Mr. & Mrs. 55, O.P. Nayyar, Preetam Aan Milo, satire, Thandi Hawa Kaali Ghata, Udhar Tum Haseen Ho Idhar Ham Jawaan Hain, V.K. Murthy, woman-lib
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Aye Mere Dil Kahin Aur Chal . . .
In my review of Maut Ki Aahat (a Hindi novel), I have opined that consuming liquor to forget one’s grief is futile as liquor consumption may make a happy person happier but it can by no means mitigate the grief … Continue reading
Sab Kuchh Seekha Humne, Na Seekhi Hoshiyari . . .
Though Raj Kapoor was a versatile actor and performed various kinds of roles in his acting career spanning around 38 years (1944-1982), he’s best loved by the Indian audience for the Seedha-Saada, simple, straightforward and naive (and therefore vulnerable) gentleman’s … Continue reading
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