The call for justice

I sincerely thank my dear friend and elder B.S. Sethi Saheb for inspiring me to write the review of this immortal period movie from the pre-independence era. Pukar (1939) is a great black and white movie made by Sohrab Modi whose impact lasts over the spectator long after the movie is over. It’s a movie in a league of its own.indexPukaar (call) is a period movie which shows the reign of the Mughal emperor – Jahaangir who was famous for his true and unbiased justice. . A huge bell (Ghanta) used to hang at his palace with its pulling chain set at the door of the palace. Any aggrieved person could ring that bell by pulling that chain to make the emperor aware that somebody was seeking justice from him.  It was famous as the ‘Chain of Justice’. Pukaar is based on an anecdote linked to this system only in which Jahangir had declared that KHOON KA BADLA KHOON YAHI JAHAANGIR KA NYAAY HAI (an eye for an eye is the correct justice in the view of Jahaangir).maxresdefaultThe story starts with the love story of Mangal Singh (Sadiq Ali) and Kanwar (Sheela). Mangal Singh is the son of a trusted Rajput chieftain of the Mughal emperor Jahaangir – Sangraam Singh (Sohrab Modi). Since the family members of Kanwar are against her marriage with Mangal Singh, a bloody fight takes place in which the father and the brother of Kanwar are killed in the hands of Mangal Singh. Now Mangal Singh is a criminal in the eyes of the law and Sangraam Singh being completely loyal to the state, arrests him and hands him over to the authorities. Death penalty is awarded to Mangal Singh for the murders committed by him. Sangraam Singh being a loving father, appeals to the emperor Jahaangir (Chandra Mohan) to award amnesty to his son but his request is turned down by the emperor on the plea that Jahangir’s justice means blood for blood(or life for life). Sangraam Singh is left with no choice but to accept his verdict and return with a grief-laden heart.

However an unexpected incident creates a twist in this flat tale. Empress Noor Jehan (Naseem Banu) inadvertently kills a washerman by her arrow while practicing archery. Now Sangraam Singh sees an opportunity in this incident to save the life of his son. He takes the aggrieved widow of that washerman to the palace and makes a call to the justice of the emperor through her. He demands that if an eye for an eye (or blood for blood or life for life) is the emperor’s justice then it should be applicable to all irrespective of the concerned’s status. The penalty awarded to his son should be awarded in this case also without any discrimination being made due to the status of the culprit (i.e., the empress). What happens thereafter forms one of the most memorable sequences of the history of Bollywood cinema, culminating in a great finale.

Pukaar is a great movie by all standards, a true classic, a masterpiece. None in Bollywood could match the skills of Sohrab Modi in making impressive period movies or costume dramas (with the sole exception of K. Asif). This master moviemaker has made this movie with such a zeal and sincerity that every scene has its moments, every frame has its beauty. The scene of playing chess by using human-beings as pieces and using the great square floor as the chessboard is simply superb. Showing elite women using a veil or curtain while talking to outside males, brings about a flare of authenticity in the narrative.  I had seen this movie long back on Doordarshan but its impact was so great that even after years, I am able to recall the scenes and the dialogues and feel the tone of the movie.

It’s a costume drama whose period goes back to the seventeenth century A.D. Hence Sohrab Modi had paid special attention to the costumes, the sets and above all, the dialect spoken by the characters. Everything is realistic and reliable. The Urdu laced dialogues are simply great. The screenplay has been written so impressively that the impact of the movie thickens and thickens with the passage of succeeding scenes. The cinematographer in association with the art director and the costume designer has infused life into the movie and enlivened that period on the screen.

The background score is perfectly in sync with the mood of the movie. Mir Saheb has composed melodious tunes for the lyrics penned by the script-writer, Kamaal Amrohi (who later became a great filmmaker in his own right). All the songs are good but considering that time of the thirties, the listener has to listen to them with a particular mindset and appreciate the quality of the lyrics too. The best song, in my opinion, is – Zindagi Ka Saaz Bhi Kya Saaz Hai which is a duet sung by the music composer – Mir Saheb and the lead actress – Naseem Banu.1939 Bollywood Poster PUKAR Sohrab ModiFinally, it’s the performances which is the brightest aspect of this brilliant period movie. Sohrab Modi himself alongwith Sadiq Ali, Sheela, Naseem Banu (who happens to be the mother of the highly successful Bollywood heroine, Saira Banu) and others have performed to perfection. Though the performances and dialogue delivery are a bit theatrical but this fact is to be seen and felt in the light of the time in which the movie was made, the period to which the story belongs to and the nature of the narrative. The tallest performance has been delivered by Chandra Mohan as the emperor Jahaangir. This role and his performance especially  in the climax scene has immortalized him in the history of Bollywood cinema. It’s a performance that no spectator can ever forget. His dialogue delivery when repeating – TAAMEEL HO (my order should be executed) alongwith the feeling expressed through his eyes can be counted as one of the greatest acting performances ever seen.

This more than seven decades old movie can be enjoyed by today’s generation and the young generation will come to know by watching it that such superior quality movies used to be made in that period too when technology development had not even taken off, when resources were limited and when naturalness in acting was yet to emerge. Pukaar was a blockbuster movie in its time and the reason behind its being a blockbuster can be easily understood by watching it on the small screen today.

With my repeated thanks to Sethi Saheb, I recommend this B&W gem to all those who want to watch quality cinema made in India.

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About Jitendra Mathur

A Chartered Accountant with literary passion and a fondness for fine arts
This entry was posted in Movie Review and tagged , , , , , , , , , , , , , . Bookmark the permalink.

4 Responses to The call for justice

  1. birindersethi says:

    Mathur Sahab, thanks for remembering me ! I had seen this movie when I was a small child alongwith my father. He was a great fan of Sohrab Modi. In fact whenever there is talk of this movie it actually reminds of that day spent with my Late father and makes me a little sad. I had very few good times with him and this was one of them.
    Anyway I too loved the power packed performance of Sohrab Modi and the others. Wonderful movie. Sometimes I think why is it not as famous as Mugal-e-Azam

    • Hearty thanks Sethi Saheb once again. I can feel your feelings in the context of the movie. Mughal-e-Azam was a grandiose movie and this movie made in the pre-independence period, perhaps, could not match the grandiosity of Mughal-e-Azam.

  2. It looks similar to Mugal-e-Azam.
    Agree with you, the costume design is a challenge in case of historical movies. That too so many years ago. I will watch to know what happened next to the queen.

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